Todos os programas começam 11h CDMX – 12h Nova York – 13h Vitória / São Paulo – 17h Londres / Porto – 18h Berlim e ficam em loop por aproximadamente oito horas – ASSISTA NO YOUTUBE
All screenings begin 11am CDMX – 12am New York – 1pm Vitória / São Paulo – 5pm London / Porto – 6pm Berlin and loop for about eight hours – WATCH ON YOUTUBE
Sab Sat 01 Ago – Abertura: Trace Evidence (Susan Schuppli, Reino Unido, 52’)
Ter Tue 04 Ago – Plano Diretor | Building Authorities (33’)
Lignano Pineta (Anna Dabrowska, Itália/Holanda, 2020), A Cristalização de Brasília (Guerreiro do Divino Amor, Brasil, 2019), Just Like Us (Jesse Mclean, EUA, 2013)
Qui Thu 06 Ago – Cidades / Fantasma | Ghost / Towns (57’)
Kopacabana (Khalil Charif e Marcos Bonisson, Brasil, 2019), Earthsatz (Dylan Cote & Pierre Lafanechère, France, 2019), Serial Parallels (Max Hattler, Hong Kong, 2019), Spectrum (Jeroen Cluckers, Bélgica, 2019), Triptych (Sergey Maslov, Rússia, 2020), Mei’ei (Ghost World IV) (Jerome Boulbes, Japão, 2019), Abstract Horror (Franz Milec, República Checa, 2019)
Ter Tue 11 Ago – O Esgotamento do Pólo Emissor | Sender Unavailable (50’)
She Can Run, She Can Hide (Victoria Vanderpool, EUA, 2020), The Philosophy of Horror (Part I): Etymology (Péter Lichter, Hungria, 2019), CAN’T ANSWER YOU ANY MORE (ON FACES) (Matt Whitman, EUA, 2019), On clear day you can see forever (Ian Haig, Australia, 2019), swiping compressed filtered love (et enfin, permettre l’incontrôlable) (Marie-Eve Levasseur, Canada, 2019), Even Asteroids Are Not Alone (Jón Bjarki Magnússon, Islândia, 2018)
Qui Thu 13 Ago – Há Mundo em Abundância | There is World a Plenty (57’30)
Breakdown (Daren Kendall, EUA, 2020), Persistent Disturbance (Laurien Bachmann & Sebastian Six, Áustria, 2019), Two (Vasilios Papaioannu, EUA, 2018), Al Bahr (Fairuz Ghammam, Tunisia, 2018), 18 (Mikhail Zheleznikov, Russia, 2019)
Ter Tue 18 Ago – Busca de Imagem Reversa | Reverse Image Search (58’30)
Power Trip (Christopher Boulton, EUA, 2018), Reproduction Interdite (Johannes Binotto, Suiça, 2019), Hard (Sasha Ihnatovich e Jasmina Mustafić, Eslovênia, 2019), Which Image (Carla Miguelote, Brasil, 2018), Recoding Art (Bruno Moreschi e Gabriel Pereira, Holanda, 2019), Cirkut/Canadettes (Sara Angelucci, Canadá, 2019)
Qui Thu 20 Ago – Arquivos Nacionais | National Archives (56’)
Searching for the Perfect Gentleman – an investigative journey (Lena Windisch, Alemanha, 2019), 2006 The Only Year That I Remember (Alberto Van den Eynde, Espanha, 2019), At Home But Not At Home (Suneil Sanzgiri, India, 2019), We Love Me (Naween Noppakun, Tailândia, 2017), 7FF On¢idia (Ж, Brasil, 2017)
Ter Tue 25 Ago – Swallowing Time (33’) – curated by Doreen Rios
IWantToBeACyborg (Fabiola Larios, México, 2019), En lo Virtual (Fabiola Larios, México, 2018), EXIsT (Mónica Delori, México, 2016), O rio escapa (Eduardo Makoszay Mayén, México / Brasil, 2019), Sueño de casa (Amauta García, México, 2018), Terra Incognita (Juan Covelli, Colômbia, 2019)
Qui Thu 27 Ago – Natureza Inquieta | Restless Matter (57’) – Watch on YouTube
Primitive Geometry (Alper Durmaz, Turquia, 2018), Skinned (Francesca Fini, 2018), Pesste (Federico Lamas, Argentina, 2019), Violent Equation (Vassilis Konstandopoulos, Grécia, 2019), The Gods of Tiny Things (Deborah Kelly, Australia, 2019), .MP4 (Kadavre Exquis, França, 2019), Angklung Life (Michael Vasquez, USA, 2020) Loor-Leigh Woods (Theo Scott, Reino Unido, 2019), Obstacle (Arnaud Laffond, França, 2016), The FlatNet (Mikhail Maksimov, Russia, 2020)